Channel Nine NRL commentator Phil Gould has finally reconciled the fact that he will never be as iconic as Ray ‘Rabbits’ Warren. Gould was said to have acknowledged the fact while unwinding during the week with the AFI award winning movie The Boys.
In the 1998 movie starring David Wenham, Anthony Hayes who plays the younger brother of a violent brood of western suburbs Sydney scumbags improvises a memorable take on Warren’s hyper-excited commentary, what’s more, reciting a passage of play bound to bring tear to the eye of most diehard Balmain supporters. So impressed was Gould by the ‘bit’ he approached The Boys co-star John Polson who is also the founder of Tropfest, the largest short film contest in the Southern Hemisphere. It is believed that Gould asked Polson to do the same for him in a movie. Polson, having no talent, could not accommodate Gould who when in full flight with a microphone has been known to scare small children and Nine sideline commentator Matthew Johns.
Despite this Polson and Gould are now collaborating on a short film that Gould has written and plans to act in. Polson at this stage is slated to direct.
The former NSW coach and Penrith legend had been working on a project for several years a bartender at the Rooty Hill RSL where Gould drinks, claimed.
“Gus began writing a novel but then Sophie Lee sort of stole his thunder there” the barkeep said. “So he’s taking the best scenes and turning them into a narrative short.”
Known to talk shit for hours to anyone who will listen, Gould, it is estimated, has compiled over 150 hours of material dictated into a digital recorder. Much of it is rumoured to be about Warren, who Gould has become “somewhat obsessed with” an industry insider told I-Footy. It is believed that the infatuation prompted Warren to question Gould’s humanity on air during last Friday night clash between West Tigers and Sydney City in which the Roosters won in extra time.
“Some of us are only human” Warren said. “But I don’t know about you Phil.”
Warren is justified in asking the question given the lurid content of Gould’s film. Titled Always Bet on Water Getting Wet, the short is an apparent analogy for the deteriorating relationship of the two Nine commentators and something of a vanity project. Here is an excerpt faxed to I-Footy by an anonymous source:
OVER BLACK
A heartbeat is audible and rises in volume.
Fade-in: The camera moves into a light tower at the Sydney Football Stadium, where Gus, at first only a freckle against the horizon, surveys the city of Sydney. A cape billows behind the crouched figure, who is an image of stoicism, wisdom and primal sexuality. The camera continues to circle Gus from above.
GUS
(V/O)
In a city of six million people one
man served them like no other. He
captured their dreams, their fears and
tears like no other: That man’s name
was Gus. There is no one like him.
Cut to:
INT. HOUSE – DAY
The camera creeps down a corridor towards a bedroom. Gus sits on the edge of the bed talking to his trusty sidekick, a emerald green python.
GUS
You my old friend who has walked between
fire and ice with me in many battles, some of
them won, others lost, shall never abandon me.
The camera moves below Gus’s guts to reveal that the python doubles as his penis and vice versa. It coils around his waist and back again its tongue hissing the whole time.
Crossfade: The hissing becomes French fries cooking in hot oil at a diner. Sam Backo sits patiently reading the paper as Gus enters.
BACKO
You’re late.
GUS
(Sitting)
Look I don’t take these meetings lightly nor
for that matter should you. It’s about commitment
isn’t it Sam? It’s about commitment and the will to
survive. Do you realise I have a five foot long Daintree
Rain Forest Python for a penis? No? Do you know what
kind of responsibility comes with that? No? Be careful
what you wish for Backo!
Gus stands and whips out the python. Backo shovels a spoon of gravy into his mouth laconically. Fear registers on the faces of the diner’s patrons.
GUS
Every one get on the goddamn floor!